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Sound installations in contemporary composition

On the symbiosis of rotating sound installations and interpreters and the resulting expansions in sound and space. 2 examples.

Sound installations in contemporary composition

© Markus Bruckner

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Andreas Trobollowitsch

Philipp Bohar

About the author

Andreas Trobollowitsch

Andreas Trobollowitsch is an Austrian composer and sound artist. His current work focuses on conceptual and site-specific compositions, performances, sound objects, and drawing installations. The materials used are mostly prepared self-developed musical instruments, modified everyday objects, and plants that are activated and/or manipulated by rotation systems, performers, or changing aggregate states (e.g. melting ice). Interested in the dichotomy of the intellectual and the physical, he incorporates visual aspects, spaces, and movement, using a playful practice that focuses on experimentation and timbre. He has received the State Scholarship for Composition and was a SHAPE Artist (Innovative Music and Audiovisual Art for Europe) in 2017. Composition commissions from Ensemble PHACE Vienna, Filmarchiv Austria, Musikprotokoll Graz, Todays Art Den Haag, Contemporary Music Ensemble Synaesthesis Vilnius, and The Rhythm Method New York, among others.

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