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Composing Transmedia and Modes-of-Encounter: Navigating Vertical and Horizontal Attention

Transmedia composition unfolds across multiple interconnected works using different media-constellations. This essay explores how the relationships between the works generate meaning, and how different modes-of-encounter invite various forms of perception and interpretive possibilities.

PublishedJune 12, 2025
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Composing Transmedia and Modes-of-Encounter: Navigating Vertical and Horizontal Attention

© Marko Ciciliani

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Literature:

  • Bishop, Claire. Disordered Attention – How we Look at Art and Performance Today. London: Verso, 2024.

  • Ciciliani, Marko. “Designing Audience-Work Relationships” in: Impett, Jonathan (ed.). Sound Work: Composition as Technical Critical Practice. Leuven University Press, pp. 335-353, 2021b https://doi.org/10.11116/9789461663665.

  • De Munck, Marlies. “From Absolute Music to Sound Experience. On Post-Classical Music and Horizontal Listening” in: Van Nerom, Carolien, Ann Peeters, Bart Bouckaert (Eds.): Music and its Narrative Potential. Brussels: Brink, 2024.

  • Jameson, Fredrik. Postmodernism or the Cultural Logic of Late Capitalism. Durham: Duke University Press, 1991.

  • Ryan, Mary-Laure. A New Anatomy of Storyworlds. Columbus: The Ohio State University Press, 2022.

  • Thon, Jan-Noël. “A Narratological Approach to Transmedial Storyworlds and Transmedial Universes” in: Freeman, Matthew, and Renira Rampazzo Gambarato (ed.). The Routledge Companion to Transmedia Studies. 1st ed. Routledge, 2018. https://doi.org/10.4324/9781351054904.

Artworks:

Marko Ciciliani

Reinhard Winkler

About the author

Marko Ciciliani

Marko Ciciliani is a composer, intermedia artist, performer and artistic researcher, as well as Professor for Computer Music Composition at the Kunstuni Graz. The focus of his work lies in the composition of performative electronic sound works, mostly in audiovisual contexts. Interactive video, light design and laser graphics often play an integral part in his works, just as well as elements of ergodic or transmedia storytelling, or speculative fabulation. His music has been performed in more than forty-five countries across Eurasia, Oceania and the Americas. His work has been released on five full-length CDs and four multimedia books featuring inter- and transdisciplinary works.

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