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The Second Writing: On Metacomposition and Overpainting in the Monadologies.

In this article, I examine the principle of overwriting and meta-composition in my series of 41 Monadologies, with a particular focus on the overwriting of Schubert's Winterreise in the cycle Cold Trip (Parts 1 and 2).

PublishedNovember 8, 2024
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The Second Writing: On Metacomposition and Overpainting in the Monadologies.

© Harald Hoffmann

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Bernhard Lang

Harald Hoffmann

About the author

Bernhard Lang

Bernhard Lang, born in Linz in 1957, studied composition (with Andrzej Dobrowolski), piano, jazz theory and counterpoint at the Bruckner Conservatory and later at the University of Music and Performing Arts Graz. Additional studies in philosophy and German studies as well as composition courses with greats such as John Cage shaped his work. Active as an improvisational musician and jazz pianist, he turned to electronic music in 1985 and developed the CADMUS composition software. He founded the association "die andere saite" in 1987 and taught as an associate professor of composition in Graz from 2003. Lang has received numerous awards, including the Music Prize of the City of Vienna (2008) and the Austrian Art Prize (2019). His work includes music theater, orchestral and chamber music, electronic compositions, film music and music for dance and radio plays.

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