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Introduction to Generative Audio Synthesis - Part 1

This article series focuses on the evolution of generative audio models. Part 1 explores aleatoric processes, inspired by Xenakis’s pioneering use of mathematical techniques and their influence on the author’s Cosmosf applications. Spanning 20 years of development, the study highlights the integration of stochastic processes, real-time synthesis, and modern technological advancements.

Sinan BökesoySB
Sinan Bökesoy
PublishedSeptember 23, 2024
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Introduction to Generative Audio Synthesis - Part 1

© Sinan Bökesoy

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  • Gyorgy Ligeti - Portrait film documentary https://www.artlinefilms.com/portfolio/gyorgy-ligeti/

  • Xenakis, Iannis. « Formalized Music — Revised Edition ». New York : Pendragon Press,1992/197.

  • Bokesoy S.; Gerard, P. « Stochos: Software for Real-Time Synthesis of Stochastic Music » in :Computer Music Journal June27(3) 2003.

  • Bokesoy, S. « Macro-Son, situation, évaluation et synthèse du macro-son à l’aide de structures formelles algorithmiques » Thèse Doctorat, Uni. Paris, France, 2012.

  • Bokesoy, S. « The Cosmos model : An event generation system for synthesizing emergent sonic structures ». Proceedings of the International Computer Music Conference, Barcelona, 2005.

  • Bokesoy, S., « Feedback Implementation within a Complex Event Generation System for Synthesizing Sonic Structures» in: Proc. of Digital Audio Effects (DAFx’06), Montreal, Canada, pp. 199-203., 2006.

  • Bokesoy, S., Thiebaut, J. B. « An approach to visualization of complex data for generating sonic structures» in : Proceedings of the International Computer Music Conference, New Orleans, pp. 197-203, 2006.

  • Bokesoy, S. « Presenting CosmosF as a Case Study of Audio Application Deign in Openframeworks» in : Proceedings of the International Computer Music Conference ICMC’12, Lubiana, pp. 197-203, 2012.

  • Bokesoy, S. « Development of a Morphing Tool for the Cosmosf synthesizer» in : Journées Informatique Musicale, Paris, 2013.

  • Bio

  • Sinan Bökesoy is a composer, sound artist, and principal developer of sonicLAB and sonicPlanet. Holding a Ph.D. in computer music from the University of Paris8, under the direction of Horacio Vaggione, Bökesoy has carved a niche for himself in the synthesis of self-evolving sonic structures. Inspired by composer greats such as Xenakis, his work leverages algorithmic approaches, mathematical models, and physical processes to generate innovative audio synthesis results. Bökesoy strives to establish a balanced workflow that bridges theory and practice, as well as artistic and scientific approaches.

  • Bökesoy has presented his work at prestigious venues such as Ars Electronica / Starts Prize, IRCAM, Radio France Festival, and international biennials and art galleries. He has published and presented multiple times at conferences including ICMC, NIME, JIM, and SMC, as well as in the Computer Music Journal, MIT Press.

Sinan Bokesoy

Sinan Bökesoy

About the author

Sinan Bökesoy

Sinan Bökesoy is a composer, sound artist and principal developer of sonicLAB and sonicPlanet. Holding a Ph.D. in computer music from the University of Paris8, under the direction of Horacio Vaggione, Bökesoy has carved a niche for himself in the synthesis of self-evolving sonic structures. Inspired by composer greats such as Xenakis, his work leverages algorithmic approaches, mathematical models, and physical processes to generate innovative audio synthesis results. Bökesoy strives to establish a balanced workflow that bridges theory and practice, as well as artistic and scientific approaches. Bökesoy has presented his work at prestigious venues such as Ars Electronica / Starts Prize, IRCAM, Radio France Festival, and international biennials and art galleries. He has published and presented multiple times at conferences including ICMC, NIME, JIM, and SMC, as well as in the Computer Music Journal, MIT Press.

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