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Exploration and the "Incantor": Bending Circuits, Depunctualization, and Unblackboxing

Circuit bending defies traditional boundaries by allowing users to repurpose and customise consumer products, highlighting issues such as planned obsolescence and technological black-boxing. It embodies a DIY ethos, bridging handmade craft with contemporary digital culture. This practice provokes reflection on the complexities of ownership and challenges prevailing notions of innovation in technology.

PublishedMarch 20, 2024
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Exploration and the "Incantor": Bending Circuits, Depunctualization, and Unblackboxing

© Cole Moeller

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Art + DIY Electronics, Garnet Hertz, The MIT Press, 2023 Chapter 2.1 from

Garnet Hertz

KaiaProctor, 2021

About the author

Garnet Hertz

Garnet Hertz is Canada Research Chair in Design and Media Arts, and is Associate Professor of Design at Emily Carr University. His art and research investigates DIY culture, electronic art and critical design practices. He has exhibited in 18 countries in venues including SIGGRAPH, Ars Electronica, and DEAF and has won top international awards for his work, including the Oscar Signorini Award in robotic art, a Fulbright award, and Best Paper Award at the ACM Conference on Human Factors in Computing Systems (CHI). He has worked as Faculty at Art Center College of Design and as Research Scientist at the University of California Irvine. His research is widely cited in academic publications, and popular press on his work has disseminated through 25 countries including in publications like The New York Times, Wired, The Washington Post, NPR, USA Today, NBC, CBS, TV Tokyo and CNN Headline News.

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