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Concrete and abstract places

The intention to explore selected places is a recurring theme in my compositions and my sonic field research. What is referred to as a place or space is multifaceted. In this case, the definition ranges from a building site or a farm to an open window and even parts of a composition. How do concrete sounds become abstract, where is the delicate, blurred boundary and its permeability, similar to a Venetian blind?

PublishedFebruary 13, 2024
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Concrete and abstract places

© Katharina Klement

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Konzert Performannce Katharina Klement

Etta Gerdes

About the author

Katharina Klement

Katharina Klement works as a composer-performer in the field of composed and improvised, electronic and instrumental music. Her work includes numerous cross-linking projects within the areas of music-text video. She is particularly interested in the piano and its extended playing techniques. International concerts and performances, numerous publications, prizes, and awards. She teaches the course for electro-acoustic and experimental music at the University of Music and Performing Arts Vienna and lives in Vienna.

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