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Ircam Spat: A Swiss army knife for immersive audio creation and performance

Ircam Spat is an extensive toolkit for spatial audio. Running in the Max environment, it features more than 300 modules, including audio processors, control objects, and graphical user interfaces, encompassing state-of-the-art spatialization techniques. Its highly flexible and modular design enables its use across various applications, such as concerts, mixing, post-production, virtual and augmented reality, sonic installations, and sound design. This versatility makes Spat a Swiss army knife for spatial sound.

PublishedMarch 5, 2025
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Ircam Spat: A Swiss army knife for immersive audio creation and performance

© STMS Lab [Ircam – CNRS – Sorbonne Université]

Mixing window of the spat5.panoramix workstation © STMS Lab [Ircam – CNRS – Sorbonne Université] 

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Thibaut Carpentier

Thibaut Carpentier

About the author

Thibaut Carpentier

Thibaut Carpentier is an R&D engineer at IRCAM (Institut de Recherche et de Coordination Acoustique/Musique), Paris. After studying acoustics at the Ecole Centrale and signal processing at the ENST Telecom Paris, he joined CNRS (French National Centre for Scientific Research) and the Acoustics & Cognition Research Group in 2008. His research is focused on spatial audio, room acoustics, artificial reverberation, and computer tools for 3D composition and mixing. In recent years, he has been responsible for the development of Ircam Spat, he created the 3D mixing workstation Panoramix and he contributed to the design and implementation of a 350-loudspeaker array for holophonic sound reproduction in Ircam's concert hall.

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